ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

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aminaabramovic:

aziz ansari’s voice in the back of my head faintly telling me to treat myself is going to be my downfall

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tbdressfashion:

jeans jacket

tbdressfashion:

jeans jacket

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How to Hold HandsScan from the Japanese ‘Young Person’s Sexual Guide’

How to Hold Hands
Scan from the Japanese ‘Young Person’s Sexual Guide’

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My main Man. Patrick Bateman, 27 years old.

My main Man. Patrick Bateman, 27 years old.

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likeafieldmouse:

Takato Yamamoto - Confusing and Drowning Flux of Blood (2008)

likeafieldmouse:

Takato Yamamoto - Confusing and Drowning Flux of Blood (2008)

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By Jarek Puczel

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gallowhill:

Memymom - The Umbilical Vein, 1990

gallowhill:

Memymom - The Umbilical Vein, 1990

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